“I find the pursuit of converting our three dimensional world into a worthy two dimensional photograph captivating. In the process I hope my work can reveal aspects that might otherwise have gone unnoticed to the naked eye.”
Bethel Woods Pavilion, Location: Swan Lake NY, Architect: Office Collective. ©Alon Koppel/Esto
Alon Koppel returned to his main passion of photography following a fifteen-year career running his multimedia design firm in New York City.
His experience as a graphic designer and business owner enables him to bring a more rigorous methodology and project-based approach to photography than he previously might have otherwise. And, perhaps paradoxically, with that added focus finds more freedom to better explore the rich possibilities photography has to offer.
Alon works closely with architects, landscape architects, interior designers, museums and galleries to make sure their vision is carefully reflected in the photographs he makes. Given his multimedia background, Alon is comfortable utilizing all available mediums, from stills, through aerial photography, to videography in order to tell his client’s story.
Born in Israel, Alon currently resides in the village of Catskill, New York. Both his personal and commercial work has been shown in New York City and throughout the Hudson Valley. Alon is an artist-in-residence with the Erie Canal for 2024, working on a long-term, re-photography documentation project.
recent Clients
Art Omi
Bennington College
Blackburn Architects
CPW
Forge Project
FourthDimension Architecture
Gochman Family Collection
Half Gallery
HOK
Hortulus Animae:
Mindful Garden Design
KDA
Kristin Luks Architecture
NADA
New York Power Authority
River Valley Arts Collective
Robert Schwartz Architect
September Gallery
SUK Design Studio
Thomas Cole National
Historic Site
Turkel Design
Wave Farm
WMHT
PUBLICATIONS
25 Concepts in Modern Architecture
Architectural Digest
Beside Magazine
Chronogram
Creative Camera
Dwell
Gestalten Parklife Hideways
New York Times
OSMOS Magazine
Radical Society
Thomas Cole’s Refrain
Washington Post